Archive for April, 2010

Who’s Ever Heard of Maria Callas?

Thursday, April 15th, 2010

I hadn’t, but apparently she was big.  And I use the term “big” in the broad sense – big in fame, big in personality, big in drama, big in voice.

master class stage door players

I saw “Master Class” last weekend, one of the final performances of the show as interpreted by Stage Door Players in Dunwoody.  The show is basically a fictionalized vocal class that Maria Callas would have held in her later years, with students of varying personalities filtering through her door and generally leaving as shriveled puddles of their former selves.

Evidently, Callas, a real-life famed Greek opera singer, was a tad brash.  In the show, student upon student would enter this class–all extremely talented–and be scolded, poked, prodded, and insulted by Callas, played by the superb Marcie Millard.  Callas was a tortured woman held back by her own personal insecurities and tragedies, masked by the facade of an incredible performer who lost herself in the power of applause.  She lived hard and died young and lonely – the cliched life of an artist who lives for the audience rather than herself.  A Jim Morrison of the opera, or something like that.

Who the hell knew?

So let’s get real: I know nothing about opera, and frankly, I’ve never cared to (despite the efforts of my former vocal teacher, Wesley Morgan, who incidentally starred and was fabulous in this very show).  But the stellar production and incredible cast of “Master Class” at a little hole-in-the-wall theater in Dunwoody invested me, if only for the night, in one singer’s plight.  For a moment, I cared that Maria Callas, the ultimate diva, cried for Tosca.  For a second, my eyes blinked with tears that she sacrificed the opportunity of a child for a man who inevitably left her for Jackie Kennedy.  That bastard.

Maria Callas may have been a bitch, but she was a talented bitch, and “Master Class” made her a human being as well.  Thumbs-up to the cast, who was able to turn what could have been a show about some annoying opera lady into an event really worth seeing and discussing later.

Not that I’ll be listening to Tosca anytime soon.

Vampire Weekend Photo Gallery (CreativeLoafing.com)

Sunday, April 11th, 2010

Check out Creative Loafing’s gallery of photos from the Vampire Weekend show.  Jealous?  Yeah, me too.

vampire weekend atlanta

Photo Credit: Perry Julien for Creative Loafing

South Pacific Shocks and Awes

Wednesday, April 7th, 2010

south pacific

It’s amazing how a small change can affect your whole perception of a show.

Seeing Nellie Forbush as a reformed racist in “South Pacific” at the Fox is an experience like no other.  For those used to the family-friendly movie with only a few hints at prejudice, seeing a nod to the real feelings of the era brings the audience shudders, shock, and surprises that made for some awkward but necessary moments in the show.

Watching your heroine, Nellie, devolve into a bigot in Act II is disturbing, to say the least.  This woman you’ve watched with awe, identifying her motives with yours, exposes a dirty little secret about herself that is difficult to reconcile.  Seeing the “cock-eyed optimist” fall deeply in love feels almost like you’re watching a stereotypical musical full of smiles.

However, darker elements emerge.  Elements of war always play quietly in the foreground, like Taps at a soldier’s funeral.  The song “You’ve Got to be Carefully Taught” explores the nature of prejudice and the effect it has on people.  However, light shines through at the end, as the girl in which you’ve questioned your faith turns a new leaf, proving that acceptance, too, can be carefully taught.

I’ve never been a particularly big fan of “South Pacific” as a show, but there are lessons to take from this production.  Adding to the thought-provoking nature of the show, the cast is absolutely stellar in every way: there are no weak links.  Carmen Cusack could easily be considered a standout (and I’m not just saying that because I interviewed her, although it doesn’t hurt).  Her voice is as clear as a bell and as beautiful as you’d imagine a former Elphaba’s should be.  Cusack also knows her character on an intimate level, and really allows Nellie’s likable qualities to shine, even in the light of a terrible one.

All in all, I’d recommend this show, if you have a chance to get to the Fox this week.  Definitely more for the 60+ generation, but everyone can take something away from it.  See it before it heads out of town 4/11.

10 Minutes with Carmen Cusack of “South Pacific”

Sunday, April 4th, 2010

south pacific

South Pacific is swinging through Atlanta starting this week (4/6 at the Fox, to be specific) and Carmen Cusack, who plays Nellie in the production, is biting her nails in anticipation of the receptive audiences, the new spin on a classic show, and Southern fried food.

The actress, who last stopped by our fair city when she played Elphaba on tour with Wicked, took a few minutes to chat with AtlantaOnstage.com about starving for art, the transition of going from a green witch to a “blonde bigot,” and the soul food she misses most about Atlanta.

carmen cusack

Carmen Cusack

“I never thought I’d get a chance to do this part,” Cusack gushed as we talked about Nellie, the spunky character she plays in South Pacific.  ”She was educated – she knew there was more out there.  I was like that.  It’s such a turnaround (from playing Elphaba), and a wonderful challenge.”

However, audiences may be surprised to discover a quality about Nellie that is not present in every production – an aspect of her personality Cusack has had difficulty reconciling with herself.  The director opted to stay 100% true to the era of the show, and that includes some awkward moments of racism.  ”It’s really hard to think back to that era (of the 30’s and 40’s).  You didn’t question how you felt.  Now, everything is up for question.  (Keeping the prejudice in the show) was necessary to telling the true story.  We still get slightly nervous laughs because of the racism.”

South Pacific is a classic musical almost all theater buffs have seen in some form or another.  What makes this production different, Cusack says, is its unforgiving stance of staying true to the times.

Naturally, though, there is more to being on tour than immersing oneself in a character or the darker aspects of the show.  Cusack is thrilled to be back in America after spending a large part of her career in London’s West End.  ”You really starve for your art in England,” she exclaims.  ”I’m so blessed to be back in America.”

The other big thing she feels blessed to experience again is an Atlanta staple she discovered while on tour with Wicked.  ”I love the soul food!  Gladys Knight’s Chicken and Waffles is my favorite.”

South Pacific plays at the Fox from 4/6-4/11.

AtlantaOnstage.com Launch Party a Success!

Thursday, April 1st, 2010

The AtlantaOnstage.com launch party was a huge success!  Many thanks to Bleu, Scott Simons, and Elephants Gerald for coming out to play at Engine 11.

Check out some of the pics below!

Shockingly, I’m not a photographer for a living.  Believe it.

elephants gerald

Elephants Gerald

scott simons

Scott Simons

bleu

Bleu

bleu scott simons

Bleu and Scott Simons

crowd atlantaonstage.com

AtlantaOnstage.com Crowd

atlantaonstage.com crowd

AtlantaOnstage.com Crowd