Posts Tagged ‘broadway across america’

Oh yes. Oh yes. Oh yes.

Saturday, April 9th, 2011

HAIR!

This theatrical experience is wonderful, glorious, amazing, and life-changing. You have to see HAIR. I CANNOT WAIT!

Working on HAIR in NY was one of the most exciting experiences of my life. I have the best memories of those parties, dancing on the stage, watching rehearsals, discussing marketing plans, and coming up with unique, creative ideas to spread the love of this show. I’ll spare you all the photos, but have to share a few!

Check out HAIR when it’s in town this May. You won’t regret it!

THE SMASH BROADWAY REVIVAL OF HAIR IS COMING TO ATLANTA

OPENING MAY 17, 2011
AT THE FOX THEATRE

Tickets On Sale Sunday, April 3

(ATLANTA) – The 2009 Tony Award Winning Musical Revival HAIR: The American Tribal Love-Rock Musical is coming to Atlanta. HAIR will play at the Fox Theatre from May 17 – 22, 2011 as part of the Broadway Across America – Atlanta 2010-2011 season.

Tickets for HAIR go on sale Sunday, April 3 at 12 p.m. Pricing starts at $18.00. Tickets can be purchased through authorized ticket sellers at The Fox Theatre Box Office, Ticketmaster outlets, online at www.ticketmaster.com, or by phone at 1-800-982-2787. Orders for groups of 15 or more may be placed by calling 404-881-2000.

HAIR will play May 17-22 at the Fox Theatre. Performances are Tuesday through Saturday at 8 p.m. and Sunday at 6:30 p.m. with matinees Saturday at 2 p.m. and Sunday at 1 p.m.

With a score including such enduring musical numbers as “Let the Sun Shine In,” “Aquarius,” “Hair” and “Good Morning Starshine,” HAIR depicts the birth of a cultural movement in the 60’s and 70’s that changed America forever. The musical follows a group of hopeful, free-spirited young people who advocate a lifestyle of pacifism and free-love in a society riddled with intolerance and brutality during the Vietnam War. As they explore sexual identity, challenge racism, experiment with drugs and burn draft cards, the show resonates with an irresistible message of hope more than 40 years after it first opened on Broadway.

HAIR won the 2009 Tony Award for Best Musical Revival as well as the Drama Desk, Drama League, and Outer Critics Circle award for Outstanding Revival of a Musical. HAIR was also nominated for an additional seven Tony Awards including Best Direction, Best Choreography, Best Costume Design, Best Lighting Design and Best Sound Design. The cast recording was also nominated for a Grammy Award for Best Musical Show Album.
The New York Times says “Diane Paulus’s THRILLING, EMOTIONALLY RICH production delivers INTENSE, UNADULTERATED JOY.” Time Out New York says “HAIR SPEAKS TO A WHOLE NEW GENERATION,” and The Washington Post calls it “IRRESISTIBLE…THE BEST VERSION YET!”

Directed by Diane Paulus and choreographed by Karole Armitage, HAIR features book and lyrics by Gerome Ragni and James Rado and music by Galt MacDermot.

The HAIR National Tour is produced by The Public Theater (Oskar Eustis, Artistic Director; Andrew D. Hamingson, Executive Director), Nederlander Productions, Inc., Carl Moellenberg/Wenlarbar Productions, Rebecca Gold/Myla Lerner, Rick Costello, Joy Newman & David Schumeister, Paul G. Rice/Paul Bartz, Debbie Bisno, Christopher Hart Productions, John Pinckard, Terry Schnuck, Joey Parnes and by special arrangement with Elizabeth Ireland McCann.

Additional show information can be found at www.HairOnTour.com.

10 Minutes with Carmen Cusack of “South Pacific”

Sunday, April 4th, 2010

south pacific

South Pacific is swinging through Atlanta starting this week (4/6 at the Fox, to be specific) and Carmen Cusack, who plays Nellie in the production, is biting her nails in anticipation of the receptive audiences, the new spin on a classic show, and Southern fried food.

The actress, who last stopped by our fair city when she played Elphaba on tour with Wicked, took a few minutes to chat with AtlantaOnstage.com about starving for art, the transition of going from a green witch to a “blonde bigot,” and the soul food she misses most about Atlanta.

carmen cusack

Carmen Cusack

“I never thought I’d get a chance to do this part,” Cusack gushed as we talked about Nellie, the spunky character she plays in South Pacific.  ”She was educated – she knew there was more out there.  I was like that.  It’s such a turnaround (from playing Elphaba), and a wonderful challenge.”

However, audiences may be surprised to discover a quality about Nellie that is not present in every production – an aspect of her personality Cusack has had difficulty reconciling with herself.  The director opted to stay 100% true to the era of the show, and that includes some awkward moments of racism.  ”It’s really hard to think back to that era (of the 30’s and 40’s).  You didn’t question how you felt.  Now, everything is up for question.  (Keeping the prejudice in the show) was necessary to telling the true story.  We still get slightly nervous laughs because of the racism.”

South Pacific is a classic musical almost all theater buffs have seen in some form or another.  What makes this production different, Cusack says, is its unforgiving stance of staying true to the times.

Naturally, though, there is more to being on tour than immersing oneself in a character or the darker aspects of the show.  Cusack is thrilled to be back in America after spending a large part of her career in London’s West End.  ”You really starve for your art in England,” she exclaims.  ”I’m so blessed to be back in America.”

The other big thing she feels blessed to experience again is an Atlanta staple she discovered while on tour with Wicked.  ”I love the soul food!  Gladys Knight’s Chicken and Waffles is my favorite.”

South Pacific plays at the Fox from 4/6-4/11.

SPRING AWAKENING at The Fox

Thursday, March 11th, 2010
bitch of living spring awakening

"The Bitch of Living"

If I was given six words of advice to impart upon my reading audience, they would be, “See ‘Spring Awakening‘ while it’s here.”  The show is flitting through Atlanta only to leave us on Sunday, March 14, so get to The Fox before it’s too late.

“Spring Awakening” won 8 (EIGHT) Tony Awards in 2007, including Best Musical, but, falling victim to the recession, shut its doors on Broadway in January of 2009.

However, much like the characters in the show, “Spring Awakening” continues to live on and thrive – in this circumstance, on an incredible whirlwind tour that takes the energetic cast everywhere from Washington state to the Florida panhandle.  All the while, the cast and crew/support track their journey on the innovative blog “Totally TRUCKED!,” a spin on the song “Totally Fucked” from the show.  Yes, it goes there.

Speaking of “It Goes There,” there was slight disappointment in missing Degrassi’s “Craig” (Jake Epstein) perform as Melchior in “Spring” at last night’s opening performance.  What up, dude?  His understudy, Matt Shingledecker, did an admirable job, but Epstein was notably absent.

Nevertheless, the cast (including the haunting Christy Altomare as Wendla and the superstar Taylor Trensch as Moritz) did not fail to impress.  They rocked the show to the rafters of The Fox (difficult in a theater of that size, especially given that the show hardly has a set) and received an incredible standing ovation.

Now, down to brass tacks – let’s get to the meat of this show.  Putting it lightly, “Spring Awakening” ain’t for little ones.  Don’t bring your little sister, your child, or your grandmother (unless she’s cool, like mine, and lives in Little 5 Points).  But for those who are not faint of heart, the messages in “Spring Awakening” are unforgettable and vital, the music is a flawless blend of beauty, rhythm, and poetry, and the talented cast is Broadway-caliber.  None of these kids can possibly be older than 23, yet they tirelessly churn out amazing performances in every city.  Atlanta was no exception.

The plot: simply put, 1890’s German teens discover sex.  I mean, we could get into details, but let’s not ruin the show.  It’s tragic, dramatic, shocking, touching, and mind-altering.  The incredible soundtrack was written by Duncan Sheik and Steven Sater, and the songs, although written with 2000’s lyrics, fit perfectly in line with the 19th-century plot line.  Take a moment to check out “The Bitch of Living” music video that was originally produced for the Broadway version.

“Spring Awakening” is nothing if not unique, and although I don’t recommend it for all ages, I insist anyone who has ever had sex, wanted sex, felt unheard, been in the depths of depression, felt lost, been hurt, masturbated, been in that rip-your-heart-out kind of teenage love, needed hope, lost a loved one, or struggled with raising a teenager see this show. Parents, bring your teens (you’ll cringe, but it’s worth the discussion that will follow). Teens, bring your parents. College kids, bring your weed. Okay, don’t do that – The Fox doesn’t allow it.

But the idea of “Spring Awakening” is an experience every person needs to have to fully understand the struggles of themselves and others, and realize that none of us are truly alone. We all need love, we all need freedom, and we all need each other.

Go see this show.

(TRIVIA: Yes, Broadway’s original Wendla, as you’ll see in this video, was played by Lea Michele, now of “Glee” fame.)

wendla melchior spring awakening

Christy Altomare and Jake Epstein Embrace as Wendla and Melchior

mama who bore me spring awakening

"Mama Who Bore Me"