Posts Tagged ‘fox theatre’

War Horse at the Fox

Thursday, September 27th, 2012

I’ve never been a horse person, yet somehow I’ve managed to find myself at an unreasonable number of equine performances.

It started with my disturbing desire to see “Equus” on Broadway, partially in an effort to catch a glimpse of Harry Potter’s peen (curse me), but, perhaps more disturbingly, an attraction to seeing a play about a boy with a sexual obsession with horses. It was just too weird-sounding not to check out. I “rushed” it with a friend and have no regrets. Sure, there were horses involved–not my thing–but Radcliffe’s performance was just outstanding.

Follow that up with a stint doing PR for Cavalia, during which I saw both the Atlanta performance and some sort of press event, and I was kind of horse’d out. I’m sure it would have been much more impressive to see horses walking backward and people doing flips on top of them if I’d known anything about the animals, but it just wasn’t for me.

Cut to “War Horse” at the Fox, which opened Tuesday night. I kicked myself for once again attending some equestrian event, and I had horror flashbacks to the 5 press releases I had written for Cavalia, with exceptional headlines varying from:

Equestrian Horse Odyssey Gallops Into Atlanta

Journey of Equine Proportions Extends Its Run

No Horsin’ Around: Atlanta Extends Cavalia’s Run a Second Time

Okay, I just made all of those up, but that was the gist of the headlines.

I had heard rumors of the crazy-amazing puppetry of “War Horse,” but let’s face it: there are fewer “puppet enthusiasts” out there than there are horse people, and I don’t fall into that category. Couple that with war, which, as you may recall from my insane post about “HAIR” a few months ago, I’m no fan of.

Needless to say, I came in with low expectations. But I was blown away.

“War Horse” tells the story of a boy, his horse, and their unwavering dedication to be together at all costs, in a setting that captures the horrors of war. The story is beautiful and moving, but the puppetry is the most incredible part of the experience of the play. It’s worth the cost of a ticket just to see how actors are able to transform themselves so thoroughly into horses, and how quickly the puppeteers fade into the animals in the story. People gawked and gaped at “The Lion King”’s puppetry, but after having seen both, I can vouch that “War Horse” easily out-puppets the other.

I never expected tears to well up and an entire audience to audibly gasp when metal horse structures writhed on stage in agony, but it happened. That’s how enraptured you get.

“War Horse” is a long play, but despite its deep subject matter, it moves quickly. If there’s one play to see in Atlanta this season, “War Horse” should be it. It’s a classic and emotional story, draped in the most incredible costuming imaginable. Well worth the price of admission.

“War Horse” runs through September 30 at The Fox.

Billy Elliot at The Fox

Wednesday, March 14th, 2012

It’s rare that you leave a show both defeated and inspired, but for some reason, you come away with both those feelings after Billy Elliot. Defeated because you will never hold as much talent in even your pinkie-toe as the 11-year-old boy you saw onstage; inspired because despite all odds, you think you should try to, anyway.

J.P. Viernes as Billy Elliot. Photo by Joan Marcus.

With just as much flare, sparkle, and magic as the Broadway smash had in New York, the touring version did not disappoint. Billy (played masterfully by J.P. Viernes last night, one of several Billys in a rotating cast of kids) hit every pirouette and tap as the Broadway Billys, sang well, and affected a ridiculously good Northern English accent. He hit all the right marks of comedic timing- coupled, of course, with an incredible cast including the always-loved ballerina girls and the effervescent, renowned Leah Hocking as Mrs. Wilkinson.

Leah Hocking as Mrs. Wilkinson, with her ballerinas. Photo by Kyle Froman.

Billy Elliot the Musical, for those who aren’t familiar, is the story of a young boy living in an English village mining town during the strikes of the 1980s. Through whimsy and circumstance, he finds himself enrolled in a ballet class, where it is discovered that he has an unbelievable natural talent for dance. Will his stressed-out father support his unique passion? Will he get to audition for a real ballet school in London, allowing him the opportunity to escape a future as a miner? Or, out of familial obligation and for the memory of his mother, should he follow in his father’s footsteps and stay working-class?

The lighthearted show has the dark political overtones of the Margaret Thatcher regime, introducing a British history many theatergoers may not have known, and reminding still others of the class warfare that’s happening even today in the United States. Billy Elliot is as relevant for its view into a slice of political history as it is for its inspirational message, but it is the latter that resounds with you as you dance your way out of the theater.

Although Billy Elliot isn’t a show for kids (some cursing of all varieties, a few gay slurs, etc.), it’s a show that makes everyone feel like a kid again. You’ll leave with dreams leaping in front of you, a heart filled with boundless energy and opportunities, and feet dancing beneath you.

And an ending note from an annoyed blogger: As energized as you’ll be, please spend your effort clapping for the stellar cast and the amazing performance they give – far too many people last night were ridiculously rude in leaving before the curtain call. It’s called respect, folks.

Check out Billy Elliot at the Fox through March 18, 2012. It’s a can’t-miss!

The Sun Comes Out: Annie at the Fox Theatre

Sunday, January 15th, 2012

As you grow up, you begin to worry that you’re losing some of your childhood sense of wonder and the ability to find things endearing. We develop a sense of cynicism about the world and our lives begin to get entrenched by the burdens of the everyday.

Seeing Annie last night at the Fox reminded me that I still have the optimism I thought I’d lost.

Annie at the Fox Theatre

Take a gaggle of adorable little girls playing orphans (you almost can’t suppress your “awwws”), an immensely talented lead playing the title character of Annie (Mary Peeples), and a couple of known actors putting new spins on Daddy Warbucks (Broadway’s Brad Oscar) and Miss Hannigan (Sally Struthers), and you have a recipe for a fun evening. Seeing the movie Annie so many times as a kid led me to wonder if I’d be jaded to the blind optimism as an adult (really? FDR singing, “The Sun Will Come Out Tomorrow”?) but it just wasn’t the case. You have to feel the love when you see this show.

The real test of Annie’s success was that I brought my husband to see it for the first time – he’d never even seen the film. On the way, he whined about having to sit around hoards of little girls (Miss Hannigan moment, anyone?), seeing a show meant for children, and musical theatre in general. But at the end of the night, he was asking about the historical context of Annie and laughing about all the depression-area references thrown in. He’d clearly enjoyed himself.

It’s totally worth a trip to the Fox this week to check out this well-executed, classic, Theater of the Stars production. If you’ve got a little girl, this is a can’t-miss… and even if you don’t, you’ll have your cold, January-influenced heart warmed.

Annie plays at the Fox through 1/22/12.

Please “RAIN” on My Parade

Saturday, September 18th, 2010

When a work trip forced me to relinquish my tickets to “RAIN,” I wanted to make sure they fell into the right hands. My friend Kim Honore was up to the challenge: a whirlwind night of seeing the show (which is a tribute to the Beatles), followed by a lightning-fast blog entry. My only concern was that Kim was a little too excited to see the show – take a look at the video below of her that goes to show how much she loves the Beatles. Could I trust her to give an unbiased account of the evening?


Kim Looks Surprisingly Like a Little Boy Here

Kim has met the challenge with open arms and, I have to say, she’s giving me a run for my money on this blog. Readers, promise me you won’t start leaving comments asking me to hand over the reins to Kim. How about I just promise to have her guest blog again?  With no further ado, Kim Honore’s account of last night!

When it comes to my love of The Beatles, I was a late bloomer. In fact, I am pretty sure I was legally able to drink the first time I really listened to their music, hanging on to every note and soaking in each word that was said (or rather sung). I can’t help but wonder what my childhood would have been like if I had their music as my soundtrack; if I had learned early on that, “All You Need is Love?” Instead, my memories are littered with the disturbing, yet somewhat hilarious, image of my parents singing, “Solid as a Rock” on repeat in our minivan.

But – I digress…I mentioned all the above to stress the fact that as a said late bloomer, I feel as if I’m on a constant journey to prove that I’m a real Beatles’ fan. Needless to say, when I was offered the chance to cover, “RAIN: A Tribute to the Beatles,” at the Fox Theatre last night – I jumped on the opportunity as if my life depended on it. You would have sworn I was going see the actual Beatles play!

When we arrived at the theatre, I was surprised to see that the audience spanned several generations, not just Baby Boomers trying to reclaim the good ole days. While they were definitely present, so were kids that looked like they would be better suited at a Justin Bieber concert, college co-eds that had ditched the latest frat party, young professionals celebrating the start of the weekend and more – every demographic seemed to be present.

As soon as the cast of RAIN took to the stage, they engaged us all, young and old, on a journey that spanned The Beatles’ appearance on the Ed Sullivan Show in 1964, to their strung out studio years (think Abbey Road). In fact, the members of RAIN have been together longer than the band they pay tribute to, and during that time they have meticulously studied each member’s nuances and intricacies. This level of commitment and dedication to mastering the look and feel of The Beatles shows in every single one of their performances.

With no pre-recorded tracks, one can’t help but marvel at the high level of musicianship each member possesses. They are so on point, that you suddenly forget you’re at a tribute concert in the year 2010, and rather feel like you have been transported back to the 60s. It’s as if the cast of RAIN has discovered the technology behind time machines, and took us all along for a ride through the most poignant time in music’s history.

RAIN is definitely more of a concert than a theatrical performance, which means that all you ladies out there who can’t ever get your man to go to the theatre with you actually have a standing chance here; in fact, they may even thank you. I mean, who wouldn’t want to feel like they’re witnessing history, as if they were actually lucky enough to be amongst the sea of people in Shea Stadium in 1965, screaming like a school girl? And, I must say, you actually feel like you’re on some kind of acid trip during RAIN’s Sgt. Pepper’s Lonely Hearts Club Band rendition (not that I know what an acid trip feels like), but with the lights, the smoke and the cartoon caricatures moving about the background, you’re definitely transported to a realm that seems unworldly.

Make sure you see RAIN with someone you actually like, though, because on more than one occasion you’re holding hands while singing favorites such as “Yesterday,” “Let it Be,” and the crowd favorite, “Hey Jude.” Actually, now that I think about it, why not take someone you hate? By the end of the show you’d be best friends, because who could possibly experience the splendor that is the Beatles and not come out of it feeling renewed, as if everything and anything is possible?

My only criticism lies in that fact that RAIN didn’t play either of my two favorite Beatle’s songs. I wasn’t too surprised by the lack of “Helter Skelter,” but I was aghast at the fact that they didn’t perform, “All You Need is Love.” At the conclusion of the concert I stood there as the crowd piled out trying to convince my friend that there was no way they weren’t singing it – No Way! I’m sure that everyone had one song that they were waiting anxiously to hear only to be let down, but how could RAIN possibly play every great song the Beatles ever wrote?

The bottom line is that RAIN is definitely a show you shouldn’t miss, especially if you’re a Beatles fan. There’s an indescribable feeling tied to the experience, and the fact that RAIN is able to bring to life the magic of a band that was together for a decade, yet accomplished what could span a century, is awe inspiring.

RAIN’s next venture back to the sixties will be today, September 18th, at The Fabulous Fox Theatre (2:00 and 8:00 p.m.) and Sunday, the 19th (1:30 and 7:00 p.m.).  Check it out before it’s too late – it’s only here for the weekend!

Montage-RAIN

Mary Poppins Hits Atlanta

Wednesday, May 5th, 2010

So, one thing we’ve established thus far, dear readers, is that I am lazy.  Extremely lazy.  Which is why, when Mary Poppins came to town and I was going to be in New York for the weekend, it provided the perfect excuse to send an unsuspecting pawn (AKA my writer friend Melissa Levine) to cover the show on my behalf.  However, Melissa didn’t miss a step.  In fact, she learned all of the steps to “Supercalifragilisticexpialidocious.”  Check her out below:

Fine, you’re right.  That’s not Melissa.  But it’s damn funny.

With no further ado, Melissa Levine’s take on Mary Poppins at the Fox – playing through May 16th!

Mary Poppins the musical just came to Atlanta.   And everyone is talking about it.  Now I caught your attention.  Well, if you are sitting here puzzled, it probably means one of two things.  Either you have hit double digits a while back, or you are in double digits, but now have a child of single digit age.

I saw the show this past Friday night, and was excited to have the chance to relive my childhood via the play.  I spent the week trying to remember the words to, “Just a Spoonful of Sugar” and “Supercalifragilisticexpialidocious,” and ignored the odd looks I got when I said I was taking myself and my 25 year old boyfriend to the show.  I thought, Who doesn’t love Marry Poppins!  I figured that there would be many mid-twenty something at the 8:00 showing on Friday night….

Well, apparently most of my millennial counterparts are a bit too reserved to embrace their inner child.  When I walked into the show, I would say that 80% of the audience was below the age of 8, and the other percent was comprised mostly of parents and the accompanying grandparents.

But, aside from feeling a little out of place in the audience, the show was actually fantastic.  No there was no dark drama, but it was light and fun, and an enjoyable way to spend a Friday night.  The set was one of the most elaborate sets that I have seen as of yet at the Fox.  The backdrops were done in such a way that they truly came alive.  The costumes were another plus, and made some of the slower moments of the show go by quickly.

The two children who played Jane and Michael Banks were probably my favorite members of the cast; adorable, charming, and extremely convincing in their roles.  Who can’t relate to feeling a little neglected by busy parents?

Overall, I would say this show can be appealing to those of all ages.  There is some dry humor thrown in for adults, with plenty of song dance and cheer for younger audience members.  I would recommend the play, especially if you were a fan of the movie.  And hey, if you are short like me, you can finally see a play without craning your neck the entire time to see over the person in front of you!