Posts Tagged ‘theatre’

Parkin’ the Car at Dad’s Garage

Saturday, March 6th, 2010

dads garage

I’m the first to admit that I’m not a great driver, but parking at Dad’s Garage in Little Five Points is absurd.  Every time I exit the lot, I flip out because I believe I’ve taken the bumper out by driving through a pothole.  Particularly, watch out at the top of that enormous hill full of earth that looks like it’s under construction.

The treacherous driveway is worth the risk, though.  (And for those who treasure their cars too much to destroy them on never-repaired cement, there is a perfectly fine lot in the back of the venue.)  I hit up Dads’ free Friday show last night to check out the newest crop of Improv Class grads, and generally speaking, they were stellar.

Reverence, however, must be paid to “Ricky” (there was no program, or I’d offer a last name), who not only starred in the full two acts of the show, but also served as a swing for both improv teams during the second act.  I’m expecting to see him joining the full cast soon.  Watch out, Tim Stoltenberg (a phenomenal DG alum who moved on to Second City in Chicago, as well as… randomly…a Walgreen’s Valentine’s Day commercial).

To put this whole improv process in perspective:

The typical Friday night Dad’s show is TheatreSports, which features two teams of improvisers who compete in short skits against each other to ultimately win a fake or irrelevant grand prize.  In the words of the improvisers, “Hilarity ensues, hopefully.”

The student graduation shows are “suggested donation” only (which I suggest you offer), guaranteeing a decent and appreciative crowd for the nervous few who brave the unscripted stage.  Fellow professional improvisers sit in the back for support (and to unintentionally intimidate the students).  Okay, you can all collectively “aw” now.

The Ricky kid was not only “on” and hilarious the whole night, he frankly stole the show.  There were a couple of standouts and a couple of forgettable scenes, but all students must be congratulated on reaching the level of confidence and talent to be able to stand in front of a room full of (drunk) strangers and perform.  No script, no plan, no nothing.  Just…perform.

Congrats to the new crop of Dad’s grads, who faced an audience of friends, family, strangers, and the city’s best comedians.  Congrats on a job well done, and I look forward to seeing many of you on the main stage soon.

A toast to Atlanta’s best non-profit theater, and here’s to many good years to come.  Cheers!

Upcoming Shows – March

Wednesday, March 3rd, 2010

Some shows of note in March!

THEATER:

A Catered Affair, March 4-28, Aurora Theatre

-A musical scripted by Harvey Fierstein has taken its short life on Broadway (in 2008) and transformed itself for Atlanta.

Doubt, February 26-March 14, Pumphouse Players

-The movie, while amazing, can’t do it justice.  See it live.

Free to Be…You and Me, February 9-March 7, Synchronicity Performance Group

-Don’t miss this change to relive your childhood – catch this show in its last weekend.

The Graduate, February 19-March 20, Rosewater Theatre

-The Broadway show wasn’t particularly well done, but maybe this Roswell theater can put a new spin on the classic movie.

RENT, February 19-March 21, Kudzu Playhouse

-You’ve read about the Charleston, SC experience, now check out Roswell’s cast.

Scandal!, February 19-April 30, Dad’s Garage Theatre

-If you live in Atlanta and you’ve never been to Dad’s Garage, go.  Now.  This is non-negotiable.  The fact that the amazingly talented Amber Nash is featured in the key art for Scandal! only makes it better.

scandal dads garage theatre

Amber Nash in Scandal!, an improvised soap opera.

Spring Awakening, March 9-March 14, Fox Theatre

-The Broadway tour finally hits Atlanta over a year after the Broadway show closed, and this may be your last chance to see the groundbreaking (*MATURELY THEMED*) winner of 8 Tony Awards before it is gone forever.  Earth-shattering score by Duncan Sheik.

spring awakening

Spring Awakening

MUSIC:

DRINKSHOP LIVE! – acoustic musicians every Thursday evening at W Atlanta-Downtown.

Spring Break Forever Tour 2010 with Jenny Owen Youngs, March 4, The EARL

They Might Be Giants, March 5 and 6, Variety Playhouse

-My favorite song is “James K. Polk.”  Catchy tune and a history lesson, all in one.

Xiu Xiu with Noveller, March 6, The Drunken Unicorn

-The Album 88 alums would be proud.

Ani DiFranco, March 7, Variety Playhouse

Shawn Mullins, March 12-14, Eddie’s Attic

-Gotta love that this guy sticks to his Atlanta roots.

Ben Folds, March 14, The Tabernacle

ben folds

You don't want to be this man's piano at the end of a show.

Snowden, March 16, The EARL

John Mayer, March 17, Philips Arena

-If you’re into him.  Not like he really needs this blog for publicity, though.

Spoon, March 20, The Tabernacle

Joanna Newsom, March 26, Variety Playhouse

Appetite for Destruction: Ultimate Tribute to GNR, March 27, Vinyl

-Come on.  This just sounds awesome.

Bleu, March 30, Eddie’s Attic

-Believe me, it’s worth the trip to Decatur to see this guy harmonize… with himself.

COMEDY AND OTHER:

Tom Rhodes, March 4-7, The Punchline

tom rhodes

This guy kind of looks like a tool in his picture, but maybe he's being ironic.

John Heffron, March 12-14, The Punchline

Jeff Garlin, March 12, 14th St Playhouse

-You might know him from “Curb Your Enthusiasm.”

Josh Sneed, March 19-21, The Punchline

Kevin Nealon, March 26-27, The Punchline

-People, it’s Kevin freakin’ Nealon.

Matisse Exhibition, Now-May 9, 2010, Oglethorpe University Museum of Art

-The Grey Goose-sponsored Martinis with Matisse Mondays are definitely worth the $15.

‘Cause Everything is Rent

Wednesday, March 3rd, 2010

rent charleston sc music hall

Although this blog is meant primarily for Atlantans, I have to give credit where it’s due.  And oh, brother, is it due in Charleston, SC, where White Tuxedo Productions recently brought down the house with its production of “Rent.”

I’d tell you to run out and purchase tickets for your upcoming summer vacays, but the show had a short run that ended in mid-February.  I was one of the lucky few to catch it sweep through the city like the whirlwind that “Rent” is: dancing, singing, loving, humping, writhing, and beating like a big bass drum the whole way through.

Now, full disclosure: I took the weekend trip to Atlanta’s sister city to see my friend Rori Nogee perform as Maureen.  Friendship aside (because I wouldn’t let it taint my opinion of theater), Rori must descend from her steel table to claim her rightful crown among the Maureens of Broadway fame.  You can’t beat talent like this, folks.  She sang as though her life would end any moment, laughed from her toes through her dreads, and absolutely brought the house down.

But I’m not suggesting that Rori and her beautiful ass stole the show alone.  The amazing cast was chock-full of undiscovered New York talent just waiting to be plucked for Broadway.  Scottie McLaughlin as Collins made even the hard-hearted cry during his reprise of “I’ll Cover You,” while Jennifer Fogarty’s “Out Tonight” could turn a straight girl gay.  Every member of the cast sang with passion, enthusiasm, and a genuine love for their craft, and this kind of performance is what live entertainment is all about.

I won’t go into the plot of “Rent,” because many have tried to (and most have failed at) explaining its intricacies without the show sounding like one big teary show about AIDS with an overriding message of love (aw, shucks).

To understand “Rent,” one must experience it for oneself, from its highs (oh, its many highs) to its gut-wrenching lows.  A decade-bridging classic, “Rent” isn’t just for the freaks who stagedoor.  It’s for the artist in all of us.

Kudos to the Charleston cast for staying true to its beauty, power, and magic.